Connie imboden biography

Connie Imboden

American photographer

Connie Imboden

portrait by Cory Donovan

NationalityAmerican
Notable work

• Beauty Of Darkness, Custom & limited ed., , ISBN&#;
• The raw seduction of flesh, Silver Arts, , ISBN&#;

• Reflections: 25 Years of Photography, Insight Editions, , ISBN&#;

Connie Imboden was born in [1][better&#;source&#;needed] and is an American photographer known for her work in nudes, using reflections in water and mirrors.

Connie imboden photography Hidden categories: CS1 maint: location Articles with short description Short description is different from Wikidata Use mdy dates from December Articles with hCards All articles lacking reliable references Articles lacking reliable references from October Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. And even if the doors are left open to all kinds of interpretations, his work remains metaphorical and poetic. It provides a safe space to explore and learn, a community of like-minded people, and an opportunity to learn from top artists in their field.

Her photographs are represented in many collections including The Museum of Modern Art in New York, The Museum of Modern Art in San Francisco, The Philadelphia Museum of Art, Bibliothèque nationale de France in Paris, the Ludwig Museum in Cologne, Germany, as well as many other public and private collections throughout Europe and the Americas.

Imboden has shown her photography work in groups and solo shows at galleries and museums throughout the United States, South America, Europe and China.

Connie Imboden's first book, Out of Darkness, with essays compiled by Charles-Henri Favrod and A.D. Coleman, which won the Silver Medal in Switzerland's "Schonste Bucher Aus Aller Welt (Most Beautiful Book in the World)" Award in

Following "Out of Darkness", Imboden released two monographs in The first, "Beauty of Darkness", features 80 images of her work produced between and It also featured introductions by A.D.

Coleman and Arthur Ollman. The second book, "The Raw Seduction of Flesh", features work produced in and an introduction by Mitchell Snow.

Her most recent monograph, "Reflections; 25 Years of Photography", was published in by Insight Editions with essays by Arthur Ollman, Julian Cox and John Wood.

Connie Imboden was an instructor at the Maryland Institute College of Art, where her experience as a photographer began, and has also taught at the Maine Photographic Workshops, the International Center of Photography in New York City, the Center for Photography in Woodstock, the Fine Arts Work Center in Provincetown, the Rencontres Internationales de la Photographie in France, and the Santa Fe Photographic Workshops.

Early work

Imboden was introduced to photography during the summer following her junior year of high school when she enrolled in a Basic Photography course at the Maryland Institute College of Art. Previously showing no interest in art, she was inspired by Diane Arbus's work and her expression through photography.

It quickly became a passionate pursuit that would last a lifetime.

Experimenting with negatives by cutting, scratching, and melting them, Imboden's early images are introspective self-portraits that show early signs of the psychological qualities that would eventually become characteristic of her work.

Connie imboden biography death My photographic career owes everything to my experiences at MMW. It is a whole metaphorical poetry on the body and the face, like an investigation on the human condition. The human form, distorted, reflected, and transformed as it was submerged in water, would eventually become the inspiration for her life's work. Beauty of Darkness.

Many of these photographs depict the representation of masks, another recurring theme through Imboden's career.[2]

Working with water

Imboden's work with water began in , while out photographing, she became intrigued by specular bursts of sunlight bouncing off puddles after a heavy rain.

She continued to explore the reflective properties of water until one day a friend volunteered to model nude in a stream Imboden had been photographing in. The human form, distorted, reflected, and transformed as it was submerged in water, would eventually become the inspiration for her life's work.

Imboden would continually discover new ways to explore her subject matter.

Connie imboden biography He made photographs in a one room schoolhouse for Life magazine. With this staging, the eye is disturbed, just like the water, and you are no longer certain of what you are seeing. Connie Imboden American Personal life [ edit ].

Her early images incorporate the moving water of streams or the unavoidable reflection of trees. These are graphic elements that further transform the figure in ways that heighten the psychological aspect of the work. Later, in images such as Dead Silences I & II, Imboden photographed above the surface of a black lined kiddie pool, which improved the visibility of the reflection as well as the magnification and refraction of the water.

The images working with this method illustrate elongated forms, fluid and often tranquil due to the stillness of the water.

Imboden's work with the human form and water incorporate three distinct layers; the body above the surface of the water, its reflection, and the body submerged. When she eventually began photographing underwater, she would also use the meniscus of the water to further distort and transform the body.

Her images throughout the years of – feature bizarre, organic forms – familiar in their flesh but alien in their reconstructed form. In an interview, Imboden is quoted as saying " there is nothing more repulsive nor more attractive to us than flesh. This confrontation with flesh in an unidentified form makes us uncomfortable.

Connie imboden biography wikipedia Reviews [ edit ]. Retrieved December 8, Log in Sign up. Have You Considered?

We don’t know what we are looking at, but we know it is human.” [2]

Working with mirrors

Photographing models in water was not an option during the cold winter months for Imboden. To continue to deal with reflections and human figures throughout the year, she began using mirrors in " The problem was that the mirrors only provided one reflective layer, instead of the three.

She had grown accustomed to working with what models that displayed potential to distort and transform the figure. Her early attempts at disrupting the clean and crisp reflections involved smearing oil on the mirror's surface, as seen in Untitled #

Seeking to alter the surface even further, Imboden, began scratching the silver backing off of the mirrors she was working with and making them transparent in some places while still reflective in others.

Putting a model behind the mirror made them visible in the areas where the mirror was transparent, a model in front can be seen in the parts that are still reflective. Through the relationship of the models in front of and behind the mirror, as well as her camera angle, she discovered a similar effect to the refractive properties of the water.

In the only self-portrait she produced since the s, Self Portrait , Imboden, imperfectly lines up her profile in front of the mirror with a models face behind the mirror, creating a distorted portrait by combining two different views into one, reminiscent of the quality of space in a Cubist painting.

The smearing and scraping of the mirrors soon lead to generating a marred, scratched texture on their surface.

Resembling the "hatching" technique in medieval printmaking.

  • Connie Imboden - Wikipedia
  • The Color of Light: 50 Years of Maine Media Photography
  • Details
  • The Color of Light: 50 Years of Maine Media Photography

    • Many of Imboden's images that illustrate this texture have a dark, mythological quality to them, as in Untitled # By incorporating this texture with the model showing through from behind the mirror and the one reflected in front, Imboden was once again working with three distinct layers. [2]

    Working with color

    As photographing with film became more challenging with the medium's overwhelming shift to digital in the early 's, Imboden began working with a digital camera in These early explorations revealed yet another layer for transforming and redefining the human form, incorporating color into her images for the first time.

    Due to the transformative effects that water has on the perception of color- specifically the absorption of longer, warmer wavelengths of light- Imboden's early color images drastically separate forms seen above versus below the water's surface. Her methods for lighting the body exaggerate this differentiation, giving the body outside the water an ethereal, flame-like feel that contrasts with the hardened, cold, stone-like feel of the body underneath.

    With a newfound passion and enthusiasm to explore this new dimension, Imboden would eventually try to recreate the same effect in a complex studio environment, revisiting her work with the mirrors with the addition of an assortment of gels, colored backdrops, and cloths.

  • Connie imboden biography husband
  • Connie imboden biography images
  • Connie imboden biography net worth

    • Much of the work created through this process has a more psychological, sometimes narrative quality, often depicting figures that bear resemblances to archetypal characters throughout mythology. [3]

    Personal life

    Imboden is married to Dr. Patricia Dwyer. The couple live in Maryland.[4]

    Education, teaching experience, and boards/affiliations

    Source: Maryland Institute College of Art[5]

    Education

    –

    • Master of Fine Arts, University of Delaware, Newark, Delaware

    –

    • Bachelor of Science, summa cum laude, Towson State University, Baltimore, Maryland

    –

    • Maryland Institute College of Art, Baltimore, Maryland

    Teaching Experience

    –present

    • Santa Fe Workshops, Santa Fe, New Mexico

    –present

    • Maryland Institute College of Art, Baltimore, Maryland

    –present

    • School for Photographic Studies in Prague, Czech Republic

    –present

    • Maine Photographic Workshops, Rockport, Maine

    • International Center For Photography, New York City

    • Center for Photography in Woodstock, New York

    • Recontres Internationales de la Photographie Workshop, Arles, France

    Collections

    Source: Maryland Institute College of Art[5]

    • The Museum of Modern Art, New York City
    • The Museum of Photographic Arts, San Diego, California
    • The San Francisco Museum of Modern Art, California
    • The Philadelphia Museum of Art, Pennsylvania
    • Virginia Museum of Fine Arts, Richmond, Virginia
    • The National Museum of Women in the Arts, Washington D.C.
    • The Museum of Photography, Helsinki, Finland
    • Museo Alejandro Otero, Caracas, Venezuela
    • The National Museum of American Art, Washington D.C.
    • The Baltimore Museum of Art, Baltimore, Maryland
    • The Bryn Mawr College, Bryn Mawr, Pennsylvania
    • The Bibliothèque Nationale, Paris, France
    • The Bibliothèque Lyonnaise, Lyon, France
    • The Corcoran Gallery, Washington D.C.
    • Museum of Fine Arts, Houston, Texas
    • Kresge Art Museum, East Lansing, Michigan
    • Galerie du Chateau d'eau, Toulouse, France
    • Galleria e libreria dell'immagine, Milan, Italy
    • Lehigh University, Bethlehem, Pennsylvania
    • L'oeil Quiperios, Quimper, France
    • Ludwig Museum, Cologne, Germany

    Selected solo exhibitions

    Source: Maryland Institute College of Art[5]

    • The American University Museum at The Katzen Arts Center, Washington, D.C.

    • Y:Art Gallery, Baltimore, MD

    • Infocus Galerie, Cologne, Germany

    • Almlof Gallery, Malmö, Sweden
    • JRB Art at The Elms, Oklahoma City, OK

    • Nordic Light Festival, Kristensund, Norway – Saul Mednick Gallery, Philadelphia, Pennsylvania

    • Hargate Gallery, Concord, Massachusetts

    • Maine Art Museum, Bangor, Maine
    • See+ Art Gallery, Beijing, China
    • Heineman Myers Contemporary Art, Bethesda, Maryland Delaware Center for Contemporary Art, Wilmington, Delaware

    • Mesa Contemporary Arts Center, Mesa, Arizona Museo de Arte Contemporaneo, Valdivia, Chile Universidad de Chilie, Santiago, Chile
    • Centro de la Photographie, Lima, Peru

    • Museo Metropolitano, Buenos Aires, Argentina Universidad Mayor, Temeco, Chile
    • James Gallery, Pittsburgh, Pennsylvania

    • Heineman Meyers, Bethesda, Maryland

    • Esther Woerdehoff Galerie, Paris, France
    • Infocus Galerie, Cologne, Germany – Volakis Gallery, Nappa, California

    • Volakis Gallery, Nappa, California

    • Packard & Wreath Gallery, Lewes, Delaware
    • Gomez Gallery, Baltimore, Maryland
    • McDaniel College, Westminster, Maryland

    • Trinity Gallery, Atlanta, Georgia

    • Museum of Photographic Arts, San Diego, California
    • JJ Brookings Gallery, San Francisco, California
    • Galerie Waldburger, Berlin, Germany
    • Gomez Gallery, Baltimore, Maryland
    • Edward Carter Gallery, Lewes, Delaware
    • Chiaroscuro Gallery, Santa Fe, New Mexico

    • Centro de la Fotographia, Lima, Peru
    • Infocus Gallery, Cologne, Germany
    • JJ Brookings Gallery, San Francisco, California
    • Bassetti Fine Art Photographs, New Orleans, Louisiana
    • Emma Molina Galerie, Monterey, Mexico

    • Gomez Gallery Baltimore, Maryland
    • Esther Woerdehoff Galerie, Paris, France
    • Alan Klotz PhotoCollect New York City
    • George Mason University, The Johnson Center and FineArts Galleries, Fairfax, Virginia

    • Gomez Gallery, Baltimore, Maryland

    • Museo de Arte Contemporaneo de Panama
    • Museo de las Americas, San Juan, Puerto Rico
    • Infocus Gallery, Cologne, Germany
    • Gomez Gallery, Baltimore, Maryland
    • Museo de Barquisimento, Venezuela
    • Museo de Arte Costarricense, San Jose, Costa Rica
    • Galeria del Ateneo de Valencia, Valencia, Venezuela

    • Gomez Gallery, Baltimore, Maryland
    • Museo Alejandro Otero, Caracas, Venezuela
    • Witkin Gallery, New York City

    • ThirdEye Photoworks, The Internet
    • Imagery Gallery, Lancaster, Ohio

    • Gomez Gallery, Baltimore, Maryland
    • Gallery Finfoto, Helsinki, Finland
    • Galleria 13, Espace Van Gogh, Arles, France
    • Braggiotti Gallery, Amsterdam, Netherlands
    • Galleria e libreria dell'immagine, Milan, Italy
    • The University of Notre Dame, Indiana

    • Galerie du Chateau d'eau, Toulouse, France
    • Imagery Gallery, Lancaster, Ohio
    • Arlington Arts Center, Arlington, Virginia
    • Washington Center for Photography, Washington D.C.
    • Franklin and Marshall College, Lancaster, Pennsylvania

    • Witkin Gallery, New York City
    • Suzel Berna Gallery, Paris, France
    • Grauwert Gallery, Hamburg, German
    • Towson State University, Baltimore, Maryland

    • Momediano Gallerie de Arte, Madrid, Spain
    • New Works Gallery, University of Illinois at Chicago
    • The University of the Arts, Philadelphia, Pennsylvania
    • The Nye Gomez Gallery, Baltimore, Maryland
    • Blatant Image/Silver Eye, Pittsburgh, Pennsylvania

    • Photo West Gallery, San Diego, California
    • Iris Gallery, Boca Raton, Florida

    • The Rosenberg Gallery, Baltimore, Maryland
    • The Booktrader's Gallery, Philadelphia, Pennsylvania

    Monographs and catalogues

    Source: Maryland Institute College of Art[5]

    • Reflections: 25 Years of Photography by Connie Imboden, published by Insight Editions.

      Preface by Julian Cox, foreword by John Wood, Introduction by Arthur Ollman

    • Connie Imboden, La Oscuridad Divina Catalogue Museo Metropolitano

    • Connie Imboden: Re-Fromation, catalogue

    • Imboden Photographs Catalogue

    • Piercing Illusions, Published by Foto Books Press, San Francisco & New York, text by John Wood, Interview by John Weiss

    • Beauty of Darkness, Monograph published by Custom and Limited Editions Text by Arthur Ollman, and n
    • Raw Seduction of Flesh Monograph published by Silver Arts, London England Text by Mitchell Snow

    • Inter U terus Catalogue, Published By Gomez Gallery

    • "Connie Imboden" Catalog for Museo Alejandro Otero

    • Connie Imboden Conversation by Jean–Claude Lemagny, Text by Robert Pujade, Published by GalerieMunicipale du Chateau d'Eau, Toulouse, France.

    • Out of Darkness by Connie Imboden.

      Connie imboden biography husband: Sign in to MutualArt. Log in Sign up. Connie Imboden is ambiguity. In the only self-portrait she produced since the s, Self Portrait , Imboden, imperfectly lines up her profile in front of the mirror with a models face behind the mirror, creating a distorted portrait by combining two different views into one, reminiscent of the quality of space in a Cubist painting.

      Text by AD Coleman and Charles Henri Favrod Edited and published by Esther Woerdehoff, Zurich and Paris. Printed in Switzerland.

    Publications

    Source: Maryland Institute College of Art[5]

    • Plethora Magazine, "Issue #7: Automation", Copenhagen, Denmark

    • Baltimore Magazine, "The Puppet Master" by Gabriella Souza, February
    • The OD Review, "v / Connie Imboden’s Infirm Delight"

    • BmoreArt, "Conversations" Episode # Connie Imboden, Interview with Liz Donadio
    • The Baltimore Sun, October 14, Interview with Tim Smith

    • ">>Love is…<<", inFocus galerie catalogue
    • Little Patuxent Review, COVER Feature, Issue Winter
    • The Stone Mag: unveiling the secrets of transmutation, n.

      0

    • The Photographer’s Playbook: Assignments and Ideas
    • NORMAL Magazine, No. 4, Autumn

    • FOTO, "Connie Imboden, Reflections of Man" October

    • Georgia Review, "Danse Macabre". Front and back cover and inside portfolio

    • Focus Magazine, "Fire and Water" 1/8/08
    • RS Magazine, "Connie Imboden" June

    • Foto Mundo, "La Oscuradad Divina" June – Baltimore Sun, Wednesday April 12, Arts & Society – Inked Magazine, cover, Spring Premiere Issue

    • Baltimore Sun, November 2, Arts & Society
    • Baltimore City Paper, December 3, " Art"
    • Towson Times, December 3, , Life Times

    • Ag, Volume November 29, , "Running Deeper: The Metamorphes of Connie Imboden," A.D.

      Coleman

    • Photovision: Art & Technique
    • Foto & Video February

    • Zoom, July "Connie Imboden", David Crosby
    • PHOTOgraphic, July "Connie Imboden: Troubled Waters", Jay Jorgensen

    • B&W Magazine, June "Connie Imboden Body Transformer" Shawn O'Sullivan, Issue 7
    • Photographie, June "Connie Imboden" PortfolioPhotoPlus, June "THE BODY, Distortions and Realities" Ghislaine De La Villeguerin

    • Baltimore Magazine, Sept , "Connie Imboden"
    • Baltimore Sunday Sun, September 12, Arts and Society "Body Language" Glenn McNatt
    • Photo Metro, Vol17 Issue "Connie Imboden"

    • The Photo Review, Fall , Vol 21 #4, "Connie Imboden" by Susan Ciccotti
    • Master Breasts, Aperture Publishing, New York City

    • Leg, Donna Karan Inc., General Publishing Group

    • Women Artists, The National Museum of Women in the Arts, Susan Fisher Sterling
    • Zoom Magazine, Milan, Italy
    • Photodom Magazine January "Connie Imboden: Out Of Darkness", Taiwan

    • Valokuva Finnish Photography, November, "Connie Imboden Vesi Ja Peili" Helsinki Finland
    • Tradition and the Unpredictable, Catalog for the show at the Museum of Fine Arts, Houston, Texas
    • Photographies Magazine.

      January, "Connie Imboden" Milan, Italy

    • ViewCamera, September/October, "Connie Imboden –Beneath the Surface", Sacramento, California
    • Photo Review, Winter, "Connie Imboden: An Interview", Philadelphia, Pennsylvania

    • Photovision, "Archeology of the Body", #23, Sevilla, Spain
    • La Foltgrafia, "Reflejos en el Agua", Issue #23, Barcelona, Spain
    • Vis a Vis, "acquisitions de la Bibliotheque Nationale", Issue #10, Paris, France
    • Photonews, "Imboden: Ein Spiegel nach innen", April, Hamburg, Germany

    • Fotopractica, January, Milan, Italy Fotografisk Tidskrift, May Stockholm, Sweden
    • Photoblatter, "Connie Imboden: Korper im Wasser", August, Frankfurt, Germany
    • Camera and Darkroom, August, Beverly Hills, California
    • Idea Magazine, "New Wave Nude Photos", January, Tokyo, Japan

    • Popular Photography, "They Still Shoot Nudes Don't They", October, New York City
    • Insight Magazine, February, Bristol, Rhode Island

    • Photo Metro Magazine, January, San Francisco, California
    • Photo Design Magazine, February, New York City

    • Swimmers, Aperture, June, New York City
    • Exploring Black and White Photography, by Arnold Gasson.

      Brown Publishers, Dubuque, Iowa

    • Photo Review, Winter, "Deep Waters – The Photographs of Connie Imboden", Philadelphia, Pennsylvania
    • Photo Review, Spring, "The Delaware Portfolio" Philadelphia, Pennsylvania

    • Photo Review, Summer, Philadelphia, Pennsylvania

    Works

    • Beauty Of Darkness, Custom & limited ed., , ISBN&#;
    • The raw seduction of flesh, Silver Arts, , ISBN&#;
    • Reflections: 25 Years of Photography, Insight Editions, , ISBN&#;

    Reviews

    References

    1. ^"Connie Imboden: Untitled ()".

      The Museum of Fine Arts, Houston. Retrieved October 15,

    2. ^ abcImboden, C.; Coleman, A.D.; Ollman, A. (). Beauty of Darkness. Custom & Limited Editions. ISBN&#;. Retrieved February 1,
    3. ^Endless Transformations: The Alchemy of Connie Imboden(PDF).

      Massachusetts Ave NW, Washington, DC The American University Museum. September 7, p.&#; ISBN&#;. Retrieved December 8, : CS1 maint: location (link)

    4. ^DiGuglielmo, Joey (October 12, ). ""QUEERY: Connie Imboden"". Washington Blade. Retrieved June 4,
    5. ^ abcde"Connie Imboden".

      Maryland Institute College of Art. Archived from the original on June 17, Retrieved July 6,

    External links